Joined in 2023 
82 
63 About this deal
In “Romance 101,” all characters go through their share of woe, but none of them mean each other harm or purposely try to hurt each other. Their actions are a result of their personalities and their surroundings, and the times they come in conflict are all quite understandable in real life. Romance 101 ( Korean: 바른연애 길잡이; RR: Baleun-yeon-ae giljab-i) is a South Korean manhwa released as a webtoon written and illustrated by Namsoo. It was serialized via Naver Corporation's webtoon platform, Naver Webtoon, from March 2018 to July 2021, with the individual chapters collected and published into 12 volumes. The manhwa has been published in English by Line Webtoon. A Japanese live-action adaptation series premiered on January 1, 2023, on TV Asahi. [1] Media [ edit ] Manhwa [ edit ] One effective technique for crafting a satisfying ending is to use visual storytelling. Instead of relying solely on dialogue, use visual cues and imagery to convey the emotional weight of the moment. This can be done through body language, facial expressions, or even the setting itself. Crafting compelling characters is essential to writing successful romantic screenplays. Your protagonist and love interest should be well-rounded, with flaws and strengths that make them relatable and engaging. When creating your characters, start by asking yourself what makes them unique and interesting. What sets them apart from other romantic leads?
With that said, it can be difficult to create flawed characters that aren’t over-the-top, annoying, or just generally unlikable. If you want some more guidance on the topic, I have another article that could be helpful: How to Create Complex Flaws for Characters. Ensure the Characters have Romantic ChemistryEach of those aspects is important, but I don’t have the space here to talk about all of them. So, I will be focusing on what is arguably the most important point: flaws. Characters should have behaviors or fears they need to overcome, warped beliefs, or some sort of bad habit. These traits might make them confrontational, difficult to love, or even a bit dysfunctional—but that’s the whole point. No one in the world is perfect, so your characters shouldn’t be either. Webtoonist Namsoo, the author of Naver Webtoon series ″Romance 101,″ sits down for an interview with the Korea JoongAng Daily at a cafe in western Seoul. [PARK SANG-MOON] Some comments even asked the webtoonist whether she had made up her mind on who the boyfriend should be or whether she was just making things up as she went along. But Namsoo made it very clear that there was only one guy she had her mind set on from the start and that everything else in between was added to get the story going. But one thing that she didn’t add in was a villain or a conflict among characters purely for the sake of the story. That is probably the most prevalent (and worst) romance cliché that writers litter throughout their stories, but that is by no means the only one. Clichés can kill an otherwise good story, and they are unfortunately abundant in romances. Even if the story you’re writing is primarily some other genre, like comedy or mystery, romantic clichés can work their poison into the storyline. Flaws create conflict, which drives a story forward, and above all else, they make characters more believable and relatable. If a reader can root for a character to achieve something they struggle with, overcome personal obstacles in their life, or find love despite their flaws, then they’re going to be much more attached to that character.
One of the most common obstacles in romantic screenplays is the “will they or won’t they” question. This refers to the uncertainty surrounding whether the protagonist and love interest will actually end up together. This uncertainty creates tension and keeps the audience invested in the story. In a scene of Naver Webtoon series ″Romance 101″ by Namsoo, Doeun and her boyfriend have an argument because he is preoccupied with his school life. [NAVER WEBTOON] To get readers really invested in the romance, there needs to be some sort of conflict. You can’t make things too easy for your lovebirds, or you’ll bore your readers. Conflict is the heart of storytelling, so you need to put something in the way of the characters’ relationship to keep it interesting. As the protagonist works toward their goal, obstacles should be introduced that create tension and conflict. These obstacles can be external (such as the disapproval of a family member) or internal (such as the protagonist’s own doubts and fears). Overcoming these obstacles should be a major part of the protagonist’s journey.Sometimes, however, situations can force two characters together faster out of loneliness, desperation, or mutual fear. Two characters destined to save the world together may end up caring about each other much faster than two characters that meet for coffee on weekends. A night of passion could lead to feelings of confusion and self-reflection, which could end up developing into emotional and romantic attachment. Additionally, near-death experiences could pressure characters to face or admit their feelings earlier than they otherwise would, since they could fear they’d miss their opportunity if the other character died.
Great Deal 
New Comment